I'm enjoying making piano tracks at the moment and from some experimentation this came out. The vocal is AI (because who can afford a professional singer) and it does a reasonable job. Powerful In Love has a single drop, lots of pianos and has these string uplifters that remind me of the 90s.

Powerful In Love

Yotto and Joris Voorn are two of my favourite artists and when Joris Voorn rolled out his version of Yotto's Walls, I loved it. The trouble is; I couldn't play it. It didn't fit in the sets because it didn't have enough ooomph, enough wallop. So this version, which is actually the second remix I've done, isn't really a remix at all. It's a ... beefing up. New drums, extra sounds, slightly overdriven - you get the idea.

The original is amazing, I strongly encourage you listen and pick it up and you explore the work of both Yotto and Joris.


Walls

Another rambling wander through musical styles and eras. These mixes aren't planned and sometimes it shows in the rather eclectic journey we take. This mix does include some bits I really enjoy like the first delayed chord to run into Lokee (Shapeshifter's Lola's Theme). There's some cracking tunes too; I loved Bryon Stingily popping in for a brew, there's something about that track that gets your head nodding and you grooving a little.

Finally, a nod to the Mystery Man.


The Catbox Mix

Do You Want It (Right Now)?

Lokee's Theme

True

Bodyswerve

Playing With Knives

Move Your Body

Around The World

Sun Is Shining

Just Be Good To Me

Music Sounds Better With You

Get Up (Everybody)

The Answer

Funk Phenomena

1999

He Not In

Rushin'

Disco Tool

Together For The Love

Controversy

Love You Better

Barbrabatiri

Freedom

Shiny Disco Balls

Itza Trumpet Thing

E-Samba

I Want

Why Why

NOPUS

Safe

Oh, how I love [Linus Loves VH1](https://www.youtube.com/watch?v=Wovvcqgl8OM). It went seemingly unnoticed in 2006 on their Stage Invader album. Using the Fleetwood Mac Big Love sample, it was an example of amazing synth work. This version doesn't do too much to it, because hell you can't get much better. What it does do is delay the drop massively and the first minute has been squeezed of gratifying sub and bass so that drop slaps you right in the gob. Lots of chops and re-introduction of the original Big Love sample rounds this quick dash back to 2006.


I've always loved [Quentin Harris's Let's Be Young](https://www.youtube.com/watch?v=J6yjc_oFZBk). It was a personal favourite of mine back in the mid-2000s. I began to make a remix months ago, but it was more of a copy rather than a remix so I forced myself to add different elements; new chord progression, new notes and lifts and a similar, but not the same composition. This was the outcome. I think it's OK and in the spirit of not sitting on productions too long, out it goes. I will maybe one day return to it and see what else I can do.

Let's Be Young

Clapcat - Powerful In Love

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